https://sarahbyrne.com.au/projects daily 0.75 2023-10-17 https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1535762345297-CJ2MJL1KNH1AB88TM074/G+3.jpg Projects https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1535938685730-5U4SCON30KTBMCQ43RKJ/w3irdsist3r.jpg Projects https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1535939550497-D07CZQ740HUZQD56IJ4F/Great+Barrier+2012+MUMA+Melbourne+material+document+1.jpg Projects - Great Barrier (2012) VHS materials https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1535940365329-U5IMJ4M6H5R97D43NT7L/Concrete+Joke+2013+2.jpg Projects - Concrete Joke (2013) video still https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1535949677337-5QSPMJ7CSZQLD333BGIC/20264951_10213713570224700_2700590526176328810_n.jpg Projects - Shopping Lisps (2017) performance documentation https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1535959005818-3S4WB5XCZNQI7E04LPHQ/anxiety+1.jpg Projects - Synonyms for Anxiety (2016) video still https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1536031642277-GKN9K5B7TMBTTMP676Q7/G+still.jpg Projects - Poor Traits (2014) video still https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1555025494215-VGUBPJFED39X6D399LDH/Screen+Shot+2019-04-08+at+5.29.31+pm.png Projects https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1562822285419-F9HCJXLVG410YJD15F2Z/image-asset.jpeg Projects - Useless Muscle (2019) https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1574294985125-9BGDA6YNMYA64RIMJOY5/prop+1.jpg Projects - Propping Up A Corpse (Weekend at Bernie's) (2019) Installation Documentation https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1574295496674-LJS5XCLPURWDW8NAYEK5/reflecting+1.jpg Projects - Elsewhere Unknown (2019) installation documentation https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1535942495908-9EO6SSLY09BARI8I1STK/Screen+shot+2012-03-20+at+11.03.14+PM.png Projects - Ghosthouse (2011) video still https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1536033892961-QDGQU8KB1EKNPYTUT30J/domestic+%7C+violence+.jpg Projects - Domestic | Violence (2015) performance document, in collaboration with Tameka Carter https://sarahbyrne.com.au/selected-work daily 1.0 2022-08-22 https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1620690815229-ZRW9FUAEI8O74ATPNEWG/Screen+Shot+2020-08-02+at+3.30.55+pm.png Selected work - Anticipating Redundancy (2020) Anticipating Redundancy, 2020, HD video, 5 minutes and 38 seconds. In antagonistic tones, Anticipating Redundancy unpacks the redundant expectations of technological and cultural remanence, and the role of outdated technologies within contemporary media conditions. The speaker voices a poetic reconciliation with the nature of obsolescence and its technological and cultural permeation. Anticipating Redundancy considers the nature of obsolescence to be an ideology that is never truly fulfilled as it continues to find new formations of itself in all things over the course of time. Anticipating Redundancy proposes that although all things may be subject to the idea of obsolescence and subject to waste, such a concept is never completely achieved, as it remains to be a mere cyclical condition. https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/c1afb3c8-3d49-4bcd-8fcb-9cbf468a2972/Screen+Shot+2020-10-26+at+4.10.44+pm+copy.png Selected work - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1620640817799-9WTVGJL3D3PJPNRJZ29B/Screen+Shot+2021-03-19+at+11.22.00+am.png Selected work https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/00ba1d03-5e4d-49df-9ba9-9ba51d1145f4/Screen+Shot+2021-05-14+at+12.31.47+pm.png Selected work - Sometimes it’s enough. (2021) Sometimes it’s enough. 2021, three-channel video installation, HD video, stereo sound, mixed variables. [dur. loop]. Using sourced video content from YouTube blogger and white noise enthusiast, AI Lullaby ASMR, Sometimes it’s enough. (2021) conducts an ambivalent dialogue that speaks to the sometimes comforting and often confronting space of online autonomous sensory meridian response culture. https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/ee082e24-0b81-44eb-97c8-263919634435/Screen+Shot+2022-08-12+at+11.56.59+am.png Selected work - Atlas (If ever you were here, you were here somewhere) (2021) Atlas (If ever you were here, you were here somewhere). 2021, HD video, stereo sound, 11 minutes and 14 seconds. Atlas (If ever you were here, you were here somewhere) maps the desktop quagmire that outlines the foundational informants of my research and creative output. Focusing upon practices and creative works that share similar sensibilities of either material or conceptual concerns, this work seeks out themes of transformative and critical analysis of the nature of image, sound, and media spaces found within creative practice. Often driven by reactionary vivacity or poetic reflection towards media, these practices investigate sound and image material/materiality, the conditions of time, and permutations of such in media cultures. Although divided and separated by categorization, these items speak to each other beyond the borders of these groupings, shaping a hyper-terrain of critical media enquiry to offer or investigate critical or conceptual concerns regarding our media-soaked lives. Together these practices offer abstract alternatives through different lenses of moving image and sound investigation. This desktop space is a neutral space that becomes modified to serve a personalised mapping of the concerns of my practice. Its gradient background quickly fills with matter that may clutter, confuse, and reconfigure themes of interest, upending and skewering threads of enquiry. As a personalised directory, this atlas serves as a means to not only outline the shape of my practice, its informants, and foundations, but also addresses the concerns of my practice that speak to notions of appropriation and reconstruction, saturation, the nature of obsolescence and irrelevance, and the collapsing of media territories. hey value transformation in varied forms as a means to access or investigate critical or conceptual concerns surrounding the habitual nature of the temporal. https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1620650073645-D70XDKV2AGH9OZDC67YU/elsewhere%2B1.jpg Selected work - Elsewhere Unknown (2019) HD projection, mirror, stereo sound, looped duration. Elsewhere Unknown is a single-channel projection installation that explores relationships held between screen and spectator, and the possible reciprocal emptiness found in screen viewership. Projected largely on a wall, a reversed and upside-down text floats amongst the noisy remanence decay of VHS. A mirror sits below the projected video, reflecting the image and reversing the text. It skews and warps the image so the viewer may only partially see the reflection and enforces one to move themselves to read the reflected text in full. Over time the text begins to quicken with each cycle in its loop. Enveloping the space, a minimal droning soundtrack slowly builds creating an ambiance of unease. https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/07358f64-b7eb-48cd-b860-3bbde533e5de/propping+up+a+corpse+copy.jpg Selected work - Propping Up A Corpse (Weekend At Bernie’s) (2019) Propping Up A Corpse (Weekend At Bernie’s), 2019, multi-projection installation, stereo sound, looped duration. Propping Up A Corpse (Weekend At Bernie’s) is a multi-channel projection installation that considers online sentimentality and the vacuous nature of screen space. Comprised of three video projections, two screen structures, and overwhelmingly encapsulated by stereo sound; Propping Up A Corpse cycles through numerous sunsets to reflect upon how the intention of sentimentality within simulated media territories, like the Internet, may result in repetitiously hollow and futile gestures. https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1659937179226-CNJEDNOUMWQREBYZ8WT1/Sometimes+still+1.png Selected work https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1620688615468-R6PQ5NJZVNEQMJNBWLHN/Screen+Shot+2021-03-19+at+11.22.00+am+copy.png Selected work https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1620688754337-OGFSP2GFOF0XO7K2RXA0/POSTERFILMVIDEO_SARAH_BYRNE_REACT+VIDEO+copy.png Selected work https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1620689132229-UP756243R1955WHDKWUI/image-asset.png Selected work https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1620689544534-FFHUT37JV709QC64AH79/Screen+Shot+2020-10-26+at+4.10.44+pm+copy.png Selected work https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1620689790733-SVGU54H8ELFJCS407YRG/Sarah+Byrne+Useless+Muscle+%282020%29+%283%29+copy.png Selected work https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1620690046560-4CWEAC8CKPU8T1JSA3RJ/reflecting%2B1+copy.jpg Selected work https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1660272497594-5DKZTGQTGAZ9GQ4OM7DD/image-asset.png Selected work https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1660272733357-6YTU9Z23X50XEX03Z5MR/image-asset.jpeg Selected work https://sarahbyrne.com.au/bio daily 0.75 2018-10-02 https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1536035388319-7PZNPKC9Y5Y4C25QNQDQ/sbyrne2.jpg Bio https://sarahbyrne.com.au/cvv daily 0.75 2018-10-02 https://sarahbyrne.com.au/text daily 0.75 2021-05-11 https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1620687708065-QOHQHRRW58RNF3I6N4OE/IMG_1627.JPG Text - Catalogue Essays 2020 Sarah Byrne. Love Is The Length of Her Hair: Alex Cuffe, catalogue essay, TCB, Melbourne. 2013 Francis Parker. Sarah Byrne "Concrete Joke”, Bus Projects, Melbourne. 2012 Francis Parker. Artists’ Proof #1, catalogue essay, MUMA, Melbourne. https://sarahbyrne.com.au/about-jasper daily 0.75 2022-06-23 https://images.squarespace-cdn.com/content/v1/5b8940b396d455372e86f45b/1620012494395-IBM5GPD62BRMZ5QOGVML/head+shot+.jpg About https://sarahbyrne.com.au/pagecv daily 0.75 2022-06-23